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<p class="byline-dateline"><span class="byline" itemprop="author creator" itemscope itemtype="http://schema.org/Person"  itemid="https://www.nytimes.com/by/alastair-macaulay">By <a href="https://www.nytimes.com/by/alastair-macaulay" title="More Articles by ALASTAIR MACAULAY"><span class="byline-author" data-byline-name="ALASTAIR MACAULAY" itemprop="name" data-twitter-handle="AMacaulayNYT">ALASTAIR MACAULAY</span></a></span><time class="dateline" datetime="2017-10-16T00:00:18-04:00" itemprop="dateModified" content="2017-10-16T00:00:18-04:00">OCT. 13, 2017</time>
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<p class="story-body-text story-content" data-para-count="384" data-total-count="384">HOUSTON — After Tropical Storm Allison battered this city in 2001, the Wortham Theater Center — home to the Houston Grand Opera and the Houston Ballet — was fitted with precautionary storm doors to help reduce flooding in the future. Yet Hurricane Harvey proved too much for the building’s lower floors, as a tour in late September by journalists and photographers made clear.</p><figure id="media-100000005460143" class="media photo embedded layout-large-horizontal media-100000005460143 ratio-tall" data-media-action="modal" itemprop="associatedMedia" itemscope itemid="https://static01.nyt.com/images/2017/09/27/arts/worthamtheater5/WORTHAM4-1506439996565-master675.jpg" itemtype="http://schema.org/ImageObject" aria-label="media" role="group">
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                <span class="caption-text">Lengthy plastic tubes and funnels are operating as air ducts throughout the Wortham.</span>
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            Gerald Llorence/Houston First Corporation        </span>
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<p class="story-body-text story-content" data-para-count="341" data-total-count="725">Electricity is now supplied by a large and noisy generator outside the building. Long air ducts — large plastic tubes or funnels — run everywhere, even to the upstairs foyers. An indoor lake consumed the carpet at the front of the main theater’s auditorium (now covered in plastic sheets); fortunately the orchestra pit was sealed off.</p><p class="story-body-text story-content" data-para-count="196" data-total-count="921">The smell of this area remained one of extensive and pervasive damp. The waters covered the focal point of any theater — the stage, not yet completely dry. An entirely new stage may be required.</p><figure id="media-100000005460140" class="media photo embedded layout-large-horizontal media-100000005460140 ratio-tall" data-media-action="modal" itemprop="associatedMedia" itemscope itemid="https://static01.nyt.com/images/2017/09/27/arts/worthamtheater3/WORTHAM3-master675.jpg" itemtype="http://schema.org/ImageObject" aria-label="media" role="group">
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                <span class="caption-text">One of the orchestra pits at the Wortham.</span>
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<p class="story-body-text story-content" data-para-count="525" data-total-count="1446">The full havoc that descended on the Wortham, however, becomes evident only on a visit to the corridors beneath the orchestra pit. Before Harvey arrived, Houston Grand Opera’s staff raised costumes, footwear, and other properties high above floor level — not as high, though, as the stunning levels reached by the flood. The maestro’s office is now a dump for black bags containing ruined items. The ballet corps dressing rooms look as if they have been vandalized (mirrors broken, floors muddy, furniture tipped over).</p><figure id="media-100000005458781" class="media photo embedded layout-large-horizontal media-100000005458781 ratio-tall" data-media-action="modal" itemprop="associatedMedia" itemscope itemid="https://static01.nyt.com/images/2017/09/26/arts/worthamtheater2/wortham2-master675.jpg" itemtype="http://schema.org/ImageObject" aria-label="media" role="group">
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                <span class="caption-text">Dressing room damage at the Wortham, one month after Hurricane Harvey.</span>
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            Alastair Macaulay        </span>
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<p class="story-body-text story-content" data-para-count="134" data-total-count="1580">Yet the ballet company was relatively lucky. Since 2011, it has had a separate Center for Dance, where costumes and shoes were stored.</p><div id="story-ad-1" class="story-ad ad ad-placeholder nocontent robots-nocontent ">
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<p class="story-body-text story-content" data-para-count="391" data-total-count="1971" id="story-continues-1">Some of the Wortham’s worst stenches have come from boxes of opera boots and thousands of shoes, which rotted after the storm. Other sources of toxicity — the dye cupboard, for example — have been addressed. The waters wrecked floors, walls, ceilings and all the building’s electrical, mechanical and air-conditioning systems. Many surfaces have already been stripped by repair work.</p>        <a class="visually-hidden skip-to-text-link" href="#story-continues-2">Continue reading the main story</a>
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        <p class="story-body-text story-content" data-para-count="366" data-total-count="2337" id="story-continues-3">The Houston Ballet, which had to cancel its first program last month, opened its season at the nearby Hobby Center for the Performing Arts: Kenneth MacMillan’s “<a href="https://www.nytimes.com/2017/09/24/arts/dance/review-mayerling-houston-ballet-macmillan.html?mcubz=3">Mayerling</a>.” The Houston Grand Opera will begin performing next week at the <a href="https://www.nytimes.com/2017/09/26/arts/music/houston-grand-opera-hurricane-harvey.html?_r=0">George R. Brown Convention Center</a> (the initial repertory is Verdi’s “La Traviata” and Handel’s “Julius Caesar”).</p><p class="story-body-text story-content" data-para-count="299" data-total-count="2636">The city’s leaders have committed themselves to restoring the Wortham fully. In New York, meanwhile, several major dance companies will join the Houston Ballet in a fund-raising performance Oct. 22 at the Ailey Citigroup Theater to support United Way of Greater Houston’s <a href="http://www.brownpapertickets.com/event/3101105">storm recovery efforts</a>.</p><p class="story-body-text story-content" data-para-count="176" data-total-count="2812">The best-case-scenario date for the reopening of the Wortham: May 15. A gloomier prognosis sees both the opera and ballet companies still away from the Wortham a year from now.</p><footer class="story-footer story-content">
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